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The design of Alvar Aalto’s Säynätsalo Town Hall is generally regarded as a major transitional event in the Finnish architect’s distinguished career, as his work moved away from the anonymous cubic typology of internationalism, to a more site-specific and humanistic approach incorporating the tectonic ideals of modernist form. Concurrently, Finland may have finally found it’s own architectural expression after a half century of stylistic indeterminacy, through the practice of what is now known as ‘critical regionalism’. Säynätsalo Town Hall represents the hybridization of a localized architecture referring to vernacular traditions and the genius loci, with the abstracted geometric form of international modernism.
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